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Carnet de voyage
Thompson, Craig
Adult Nonfiction 914 T
From Publishers' Weekly:
"They say `Wherever you go, there you are....' I thought with Morocco, I'd be setting out on some exotic adventure, but it turns out I'm just a simple, quiet fellow." So writes Thompson in this travel sketchbook chronicling two months of wandering through Africa and Europe, sometimes as tourist, sometimes as a famous cartoonist on tour. Rather than a narrative follow-up to the award-winning Blankets, this diary reveals both Thompson's creative strengths and weaknesses. Although more or less spontaneous, the book still shapes the material into something of a narrative, the continuing themes being Thompson's self-conscious love of beauty, his sense of isolation and the gradual physical deterioration of his hands due to arthritis and over-drawing. Thompson is honest enough to confront his own self-absorption (he makes constant references to his own whininess), but this recognition reveals that Blankets' na?vet? is more studied than it first appears. Many of the elements that made Blankets so successful are here, not least among them Thompson's incredible, lush line-work and telling detail. Every person he meets is captured with a keen eye and a lively brush, and entries such as one recounting his fascination with Gaud!'s architecture in Barcelona, or a day spent with fellow cartoonist Blutch discussing artistic muses, are both thought provoking and touching. (Sept.) (c) Copyright PWxyz, LLC. All rights reserved
From Library Journal:
This review is not available
Thompson, Craig
Adult Nonfiction 914 T
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From Publishers' Weekly:
"They say `Wherever you go, there you are....' I thought with Morocco, I'd be setting out on some exotic adventure, but it turns out I'm just a simple, quiet fellow." So writes Thompson in this travel sketchbook chronicling two months of wandering through Africa and Europe, sometimes as tourist, sometimes as a famous cartoonist on tour. Rather than a narrative follow-up to the award-winning Blankets, this diary reveals both Thompson's creative strengths and weaknesses. Although more or less spontaneous, the book still shapes the material into something of a narrative, the continuing themes being Thompson's self-conscious love of beauty, his sense of isolation and the gradual physical deterioration of his hands due to arthritis and over-drawing. Thompson is honest enough to confront his own self-absorption (he makes constant references to his own whininess), but this recognition reveals that Blankets' na?vet? is more studied than it first appears. Many of the elements that made Blankets so successful are here, not least among them Thompson's incredible, lush line-work and telling detail. Every person he meets is captured with a keen eye and a lively brush, and entries such as one recounting his fascination with Gaud!'s architecture in Barcelona, or a day spent with fellow cartoonist Blutch discussing artistic muses, are both thought provoking and touching. (Sept.) (c) Copyright PWxyz, LLC. All rights reserved
From Library Journal:
This review is not available
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