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**** stars This very well written book is set during the reign of King Henry VIII and told from the point of view of a ward of Thomas More named Meg. This is the time when Lutherans and other Protestant adherents could be tortured or burned at the stake for their beliefs. Meanwhile King Henry VIII wants to remove the rule of the Pope in England so that he can have his legal marriage annulled and marry Anne Boleyn. Into this mix arrives Hans Holbein. The narrative focuses on two paintings, a portrait of the More family and one of two French Ambassadors. Eventually Thomas More becomes Lord Chancellor for Henry. We also encounter a possible explanation for the disappearance of the two princes locked in the Tower of London by King Richard III. Meg becomes the strongest voice for tolerance and finds it particularly difficult when Thomas More must act against the protestants as the King's Chancellor. The art history is fascinating as the author interprets hidden symbols and artifacts in the paintings of Holbein. I had to look up the two paintings to see the images directly. I think the author did a great job of telling a very readable story of the complexity of the religion, art, and politics of the era. I think Thomas More is "forgiven" a little too easily for this own cruel acts, but other than that, I found this to be a terrific book. HIGHLY RECOMMEND.
posted Jan 9, 2014 at 8:36PM
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