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Third coast : OutKast, Timbaland, and how hip-hop became a Southern thing
Sarig, Roni
Adult Nonfiction 782.42164 S
From Publishers' Weekly:
Though most casual fans know the story of hip-hop?s birth in the ashes of the South Bronx, the story of the South?s entry into the modern rap scene remains relatively unknown. Here, author and music writer Sarig (The Secret History of Rock) provides the "Dirty South" its first complete history, an ambitious tale featuring Southern industry luminaries like Pharrell Williams and Jermaine Dupri, as well as the acts mentioned in the subtitle. Sarig?s chronicle boasts remarkable depth and breadth, covering every aspect of Southern hip-hop, including dozens-if not hundreds-of acts. Moving away from historical documentation to analysis can lead Sarig to make some questionable generalizations ("it?s easy to observe that, today, the blues is almost entirely the province of middle-aged white people"), but his attention to the music itself reaches some dizzying pinnacles-as in deconstructing crunk lyrics to reveal connections to 11th century working-class Saxons. Throughout, Sarig is informative and entertaining, keeping an eye on the big picture while managing this huge swath of uncollected music history; though the necessary surfeit of details may wear out casual readers, Sarig ably connects the stories of record shops, roller discos and street corners from Houston to Miami to Virginia Beach. (May) Copyright 2007 Reed Business Information.
Sarig, Roni
Adult Nonfiction 782.42164 S
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From Publishers' Weekly:
Though most casual fans know the story of hip-hop?s birth in the ashes of the South Bronx, the story of the South?s entry into the modern rap scene remains relatively unknown. Here, author and music writer Sarig (The Secret History of Rock) provides the "Dirty South" its first complete history, an ambitious tale featuring Southern industry luminaries like Pharrell Williams and Jermaine Dupri, as well as the acts mentioned in the subtitle. Sarig?s chronicle boasts remarkable depth and breadth, covering every aspect of Southern hip-hop, including dozens-if not hundreds-of acts. Moving away from historical documentation to analysis can lead Sarig to make some questionable generalizations ("it?s easy to observe that, today, the blues is almost entirely the province of middle-aged white people"), but his attention to the music itself reaches some dizzying pinnacles-as in deconstructing crunk lyrics to reveal connections to 11th century working-class Saxons. Throughout, Sarig is informative and entertaining, keeping an eye on the big picture while managing this huge swath of uncollected music history; though the necessary surfeit of details may wear out casual readers, Sarig ably connects the stories of record shops, roller discos and street corners from Houston to Miami to Virginia Beach. (May) Copyright 2007 Reed Business Information.
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