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The creative habit : learn it and use it for life : a practical guide
Tharp, Twyla.
Adult Nonfiction 153.35 T 2003
From Publishers' Weekly:
Perhaps the leading choreographer of her generation, Tharp offers a thesis on creativity that is more complex than its self-help title suggests. To be sure, an array of prescriptions and exercises should do much to help those who feel some pent-up inventiveness to find a system for turning idea into product, whether that be a story, a painting or a song. This free-wheeling interest across various creative forms is one of the main points that sets this book apart and leads to its success. The approach may have been born of the need to reach an audience greater than choreographer hopefuls, and the diversity of examples (from Maurice Sendak to Beethoven on one page) frees the student to develop his or her own patterns and habits, rather than imposing some regimen that works for Tharp. The greatest number of illustrations, however, come from her experiences. As a result, this deeply personal book, while not a memoir, reveals much about her own struggles, goals and achievements. Finally, the book is also a rumination on the nature of creativity itself, exploring themes of process versus product, the influences of inspiration and rigorous study, and much more. It deserves a wide audience among general readers and should not be relegated to the self-help section of bookstores. (Oct.) (c) Copyright PWxyz, LLC. All rights reserved
From Library Journal:
If this guide to creativity is as insouciant and quirky as Tharp's dances, it should be really fun reading. (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Tharp, Twyla.
Adult Nonfiction 153.35 T 2003
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From Publishers' Weekly:
Perhaps the leading choreographer of her generation, Tharp offers a thesis on creativity that is more complex than its self-help title suggests. To be sure, an array of prescriptions and exercises should do much to help those who feel some pent-up inventiveness to find a system for turning idea into product, whether that be a story, a painting or a song. This free-wheeling interest across various creative forms is one of the main points that sets this book apart and leads to its success. The approach may have been born of the need to reach an audience greater than choreographer hopefuls, and the diversity of examples (from Maurice Sendak to Beethoven on one page) frees the student to develop his or her own patterns and habits, rather than imposing some regimen that works for Tharp. The greatest number of illustrations, however, come from her experiences. As a result, this deeply personal book, while not a memoir, reveals much about her own struggles, goals and achievements. Finally, the book is also a rumination on the nature of creativity itself, exploring themes of process versus product, the influences of inspiration and rigorous study, and much more. It deserves a wide audience among general readers and should not be relegated to the self-help section of bookstores. (Oct.) (c) Copyright PWxyz, LLC. All rights reserved
From Library Journal:
If this guide to creativity is as insouciant and quirky as Tharp's dances, it should be really fun reading. (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
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