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Blankets : a graphic novel
Craig Thompson
Adult Fiction

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From Publishers' Weekly:

Revisiting the themes of deep friendship and separation Thompson surveyed in Goodbye Chunky Rice, his acclaimed and touching debut, this sensitive memoir recreates the confusion, emotional pain and isolation of the author's rigidly fundamentalist Christian upbringing, along with the trepidation of growing into maturity. Skinny, na?ve and spiritually vulnerable, Thompson and his younger brother manage to survive their parents' overbearing discipline (the brothers are sometimes forced to sleep in "the cubby-hole," a forbidding and claustrophobic storage chamber) through flights of childhood fancy and a mutual love of drawing. But escapist reveries can't protect them from the cruel schoolmates who make their lives miserable. Thompson's grimly pious parents and religious community dismiss his budding talent for drawing; they view his creative efforts as sinful and relentlessly hector the boys about scripture. By high school, Thompson's a lost, socially battered and confused soul-until he meets Raina and her clique of amiable misfits at a religious camp. Beautiful, open, flexibly spiritual and even popular (something incomprehensible to young Thompson), Raina introduces him to her own less-than-perfect family; to a new teen community and to a broader sense of himself and his future. The two eventually fall in love and the experience ushers Thompson into the beginnings of an adult, independent life. Thompson manages to explore adolescent social yearnings, the power of young love and the complexities of sexual attraction with a rare combination of sincerity, pictorial lyricism and taste. His exceptional b&w drawings balance representational precision with a bold and wonderfully expressive line for pages of ingenious, inventively composed and poignant imagery. (July) (c) Copyright PWxyz, LLC. All rights reserved

From Library Journal:

Four years in the making, this is Thompson's follow-up to his first GN, the acclaimed Good-Bye, Chunky Rice. Here he enters the realm of autobiographical comics, intertwining the stories of his relationships with his younger brother, Phil (with whom he had to share blankets as a child), and with his first girlfriend, Raina (with whom he also shared a blanket). Raised by strict Catholic parents, Thompson struggles with his own faith, attracted to the message but repelled by the Church, and his black-and-white art makes use of Christian imagery. The art here is more realistic than that of Chunky Rice but sometimes erupts into angular, nightmarish images (like those of David B.'s Epileptic) or warm, paisley fantasyscapes. Among the trials and the happiness is another story, that of Thompson the artist: his youthful enthusiasm for drawing, his religion-inspired adolescent rejection of art, and his rediscovery of its power. That power is on full view here, in Thompson's masterly telling of a moving, deeply human story. The work contains some explicit nudity. More accessible than Chunky Rice, this is highly recommended for adult collections. (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

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